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Photographer Michel Denis-Huot, who captured these amazing pictures on safari in Kenya 's Masai Mara in October last year 2010, said he was astounded by what he saw:
"These three cheetah brothers have been living together since they left their mother at about 18 months old,' he said. 'On the morning we saw them, they seemed not to be hungry, walking quickly but stopping sometimes to play together. 'At one point, they met a group of impala who ran away. But one youngster was not quick enough and the brothers caught it easily'." These extraordinary scenes followed:
Read more: The Impala & the Cheetah...
MADRID, SPAIN – The innovative travel website, findertrip.com, is a web portal where the world’s travel agencies specializing in unique and most luxurious vacations meet with the world’s most discriminating clients.
Founder Tomas Coloma Aguado explains the need for findertrip.com in today’s travel market, “The inspiration to create findertrip.com was based on our market research where we found that no other travel websites on the Internet had a primary focus on quality of travel but rather on price.”
Read more: International Luxury & Special...
While Times Square is well known as the center of New York's commercial theater district, it's probably lesser known today that for over 30 years, it was also ground zero for a type of theater as exciting and bewildering diverse as the Crossroads of the World itself: vaudeville.Vaudeville was at the crossroads of all styles of theater. A half-century ago, a vaudeville audience might encounter singers, comedians, musicians, dancers, trained animals, female impersonators, acrobats, magicians, hypnotists, jugglers, contortionists, mind-readers, and a wide variety of strange uncategorizable performers usually lumped into the category of "nuts" with the space of a short couple of hours.In a vaudeville show you could have everything: from the puritanical to the licentious, from the patriotic to the anarchistic; from idolaters of wealth to egalitarians—and so it went. The ethnic variety of vaudeville made it the theatrical equivalent of the melting pot.
Black, white, Jew, gentile, men, women, children, Irish, Italian, Swedish, Chinese, Japanese, shoulder to shoulder, toe to toe, cue to cue. The hat rack in the dressing room had top hats, derby hats, fedoras, turbans, sombreros, bejeweled head-dresses and Apache war bonnets. All were equally important.It was a world where a nightclub dancer like Joe Frisco could meet an opera singer like Enrico Caruso backstage, and say, "Hey, Caruso, don't do 'Darktown Strutters Ball'. That's my number and I follow you."
High art, low art, and no art stood cheek by jowl. Like George Jessel's act of the same name, these disparate personalities were all sewn together like "patches from a crazy quilt."As ideally suited as vaudeville and Times Square were to each other, the match didn't take place until the eve of the 20th century. It is interesting to note that New York's theatrical district has always been located at the geographical heart of the city. As the city expanded further and further uptown, that heart moved with it. In the early 19th century, theaters were located near what is now the financial district and city hall. Then, as thousands of immigrants moved to the city thanks to improved sea travel, the Bowery became a center for populist amusements, with dime museums, salons and theaters making the street something like Times Square, Coney Island, Ripley's Believe It or Not Odditoriums, and Atlantic City rolled into one. In the 1880s, a more genteel "Rialto" was established around Union Square not far from the new department stores now enjoyed by the burgeoning middle class. In the next couple of decades, the focus shifted almost glancingly to what is now the Flatiron district around 23rd Street…to the area around Herald Square at 34th…inexorably to its final home at 42nd Street, the plot once known as Longacre Square--now known as Times Square.
[excerpted from Trav S.D.'s book No Applause – Just Throw Money: The Book That Made Vaudeville Famous (Faber and Faber),Copyright © 2005 D. Travis Stewart]
After two decades of reunification, the meanings of "nationality" and "identity" are still subjects of debate in Berlin, Germany's reinstated capital. Matters much further from Berlin are being canvassed here; topics like the European Monetary Union vie with issues of national and local politics. The collapse of the old left, the establishment of a new right and an increasing influx of immigrants from Eastern Europe are but a few of the issues that Germany (like the rest of Europe) and Berlin in particular -- is coming to terms with. Berlin has undergone great changes since the breakdown of the wall. This city mirrors the transition still in process; far from being unified, it resembles a patchwork of urban cultures reflected in various neighborhoods that make up the new Berlin.
Read more: Berlin: A Study For The 21st...
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