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Hamptons Int'l Film Festival Floats Many Stars & Starfish in Oct.

Image from Barney's VersionThe Hamptons International Film Festival dips into its 18th year October 7 to 11, 2010 in East Hampton, New York, with additional beachheads in Southampton, Sag Harbor and Montauk.

Reaching the Long Island shore will be films from Chad, the Czech Republic, Columbia and Denmark, among other countries, buoying the Festival’s “mission to bring a wide range of viewpoints from around the world,” as per Executive Director Karen Arikian

Two films will open this year’s Festival. First to take its bows will be the U.S. premiere of Barney’s Version, in East Hampton on October 7. Richard J. Lewis’ adaptation of Mordechai Richler’s last novel was warmly received in Toronto, as was The King’s Speech – so much so, in fact, that it took top prize – and it’s set to show off Tom Hooper’s directorial chops on the following night, in East Hampton.

Festival curtains will close with Black Swan. Darren Aronofksy's ballet thriller has garnered festival applause for Natalie Portman's star turn as a rivalrous ballerina.

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Counter Culture, Counter Cinema: An Avant-Garde Film Festival

The Museum Of Contemporary Art, Los Angeles (MOCA), with Pacific Design Center, and Charles S. Cohen present Counter Culture,The Counter-Culture Film Festival Counter Cinema: An Avant-Garde Film Festival -- a three-day celebration of films focusing on the long-term alliance between experimental cinema and counter-culture activity. The festival will be held at the SilverScreen Theater at the Pacific Design Center (8687 Melrose Ave. in West Hollywood) October 14th through October 16th, 2010, and will cover the half-century from the early 1960s to the present, featuring films and videos that explore sexuality, politics, communal experiments, and transgressive appropriations. A set of guest speakers -- a vital  part of the program -- will also be presenting panels.

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London Film Festival - Inspiration Amid Uncertainty

British Film InstituteBritain’s largest cinema spectacle, the London Film Festival, is for the 54th time “bringing the world’s best new films to London,” October 13 to 28, 2010. Unlike some of its competitors, the British Film Institute’s big Fall fest shows no signs of falling down.

Rumors continue to swirl that the axing of the UK Film Council could doom such regional beneficiaries as the Cambridge Film Festival. Yet LFF stands to gain from the reallocation of £’s in the Council’s wake. 

Since its genesis in 1956, LFF has generally served as a “festival of festivals” mounting the UK premieres of favorites from Cannes, Toronto and Sundance. (Local lore has it that the BFI acted on the expressed belief of local film critics that “with Cannes and Venice having their festivals, as did Edinburgh, so surely London should too.”) Yet, as per Artistic Director Sandra Hebron, London also fulfills a discovery role.

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Celebrating Shinoda-San: One of Japan's New Wave Masters

Director Masahiro Shinoda

One of this year's New York Film Festival Masterworks at the Walter Reade Theater, the primary retrospective sidebar of the Festival is Elegant Elegies: The Films of Masahiro Shinoda, devoted to the work of the famed 79-year-old Japanese film director. One of the key figures of the Nipponese "New Wave," notably celebrated by film scholar Noël Burch, Shinoda's films break with classical norms. Shinoda began his career at Shochiku 

as did his more famous contemporary Nagisa Oshima and both became directors so they could appeal to the rising “youth market” of the time, one that was tired of conventional Japanese film.

The series runs throughout the length of the Fest -- which opens Friday, Sept. 24th, 2010, until Sun. Oct. 10th -- and includes a rare appearance of the director on Saturday, Sept 25 at the 7:30 pm screening of Pale Flower as well as on Sunday, September 26 at the 5:45 pm screening of Melody in Gray and at the 8:15 pm of Double Suicide.

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